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Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts

Wednesday, August 21, 2013

My Boston Reading Project: Introduction

I'm commencing a year long Boston and New England reading project.

NPR inspired me to this reading project a few months ago. One day at the beginning of the summer, a bunch of talking heads were discussing and recommending newly published novels about Cambridge. Most of what they had to say was pretty snooty in that special Boston way, but some of it was really fascinating and quite intriguing. The truth struck me for the first time that I live in a place "important" enough I actually could create a reading list based off of it! I jotted down a few of the recommended titles and added them to my Amazon wish list.

A few weeks later, my inspiration grew when I finally made a long overdue trek to the Louisa May Alcott house. For some reason it never really settled into my brain that this childhood idol was a local, or that many of her stories take place in the area. Additionally, I had never known how close knit the Alcott/Emerson/Thoreau crowd was, but driving down the streets of Concord and watching famous house after famous house pass by, it's pretty obvious the American Transcendentalists were a bit inbred. My reading list doubled in size as I considered the area's rich literary history and added countless historical works to the list.

Last night, I launched into the growing list. I walked into the Harvard Book Store without any certain idea of where I would start or really of what I hoped to accomplish by reading books set in Boston for a year. As I scoured the shelves, I kept seeing other titles about far away places that piqued my interest. But I carried with me a vision and decided to stick to it. I finally found a book I remembered being recommended and decisively purchased it.

With my newly acquired treasure in hand (for the weight and smell of a newly purchased book always feel like a treasure despite whatever hesitations accompany it), I stepped out of the bookstore into Harvard Square. Now, I don't do well with change and after moving to the Boston area, I've struggled with my surroundings for the past year. In particular, I've really struggled with not judging the city and its inhabitants and I would venture to say I've never struggled with a judgmental attitude more strongly than since moving here. As I walked to my bus stop, my tendency to judge once again loomed large. These people are ridiculous, this people are snobs, these people are rude, these people are fake... and so on and so on and so on. Truly, my heart is vile when it comes to sympathizing with my neighbors.

Amidst these subconscious thoughts running amok, I contemplated my new reading project. And as I simultaneously judged the people around me and gloried in the charm of New England's sweet night breezes, I realized that this reading project isn't just an interesting idea, or some fun way to blog about my self-appreciated opinions; no, this project is something I need. I need these books to tell me about this place and I need to let them show me things. The only lens through which I need to read these books is the one that enables me to learn something about my city and its people.

So, in the coming year I hope to share with you what I take away from each book concerning Boston, New England, and its people. And hopefully, at the end of the day, my heart will be softer, gentler, and generally more at peace with this place.


First up: The Art Forger, by B.A. Shapiro

My paraphrase of the back page synopsis: A young artist makes a deal to forge a famous painting in exchange for a one-woman show at a famous gallery. Intrigue ensues.

Why I'm excited to read it: It centers on the mystery of the Isabella Stewart Gardner Museum art heist and talks a lot about the art world, two things that intrigue me deeply. What on earth could make a more exciting novel???


Wednesday, March 3, 2010

At the Back of the North Wind, by George MacDonald

The moment he was through the hole in the roof, all the winds of heaven seemed to lay hold upon him and buffet him hither and thither. His hair blew one way, his nightgown another, his legs threatened to float from under him, and his head to grow dizzy with the swiftness of the invisible assailant. Cowering, he clung with the other hand to the huge hand which held his arm, and fear invaded his heart.

"Oh, North Wind!" he murmured, but the words vanished from his lips as he had seen the soap bubbles that burst too soon vanish from the mouth of his pipe. The wind caught them, and they were nowhere. The couldn't get out at all, but were torn away and strangled. And yet North Wind heard them, and in her answer it seemed to Diamond that just because she was so big and could not help it, and just because her ear and her mouth must seem to him so dreadfully far away, she spoke to him more tenderly and graciously than ever before. Her voice was like the bass of a deep organ without the groan in it; like the most delicate of violin tones without the wail in it; like the most glorious trumpet-ejaculations without the defiance in it; like the sound of falling water without the clatter and clash in it. It was like all of them and neither of them - all of them without their faults, each other them without its peculiarity. After all, it was more like his mother's voice than anything else in the world.

"Diamond, dear," she said, "be a man. What is fearful to you is not the least fearful to me."

"But it can't hurt you," murmured Diamond, "for you're it."

"Then if I'm it and have you in my arms, how can it hurt you?"

"Oh yes! I see," whispered Diamond. "But it looks so dreadful, and it pushes me about so."

"Yes, it does, my dear. That is what it was sent for."

At the same moment, a peal of thunder which shook Diamond's heart against the sides of his bosom hurtled out of the heavens: I cannot say out of the sky, for there was no sky. Diamond had not seen the lightening, for he had been intent on finding the face of North Wind. Every moment the folds of her garment would sweep across his eyes and blind him, but between, he could just persuade himself that he saw great glories of women's eyes looking down through rifts in the mountainous clouds over his head.

He trembled so at the thunder that his knees failed him, and he sank down at North Wind's feet and clasped her round the column of her ankle. She instantly stooped and lifted him from the roof - up - up into her bosom and held him there, saying, as if to an inconsolable child: "Diamond, dear, this will never do."

"Oh yes, it will," answered Diamond. "I am all right now - quite comfortable, I assure you, dear North Wind. If you will only let me stay here, I shall be all right, indeed."

"But you will feel the wind here, Diamond."

"I don't mind that a bit, so long as I feel your arms through it," answered Diamond, nestling closer to her grand bosom.

"Brave boy!" returned North Wind, pressing him closer.

"No," said Diamond. "I don't see that. It's not courage at all, so long as I feel you there."

"But hadn't you better get into my hair? Then you would not feel the wind; you will here."

"Ah, but dear North Wind, you don't know how nice it is to feel your arms about me. It is a thousand times better to have them and the wind together than to have only your hair and the back of your neck and no wind at all."

"But it is surely more comfortable there?"

"Well, perhaps; but I begin to think there are better things than being comfortable."

"Yes, indeed, there are. Well, I will keep you in front of me. You will feel the wind, but not too much. I shall only want one arm to take care of you; the other will be quite enough to sink the ship."

"Oh, dear North Wind! How can you talk so?"

"My dear boy, I never talk; I always mean what I say."

"Then you do mean to sink the ship with the other hand?"

"Yes."

"It's not like you."

"How do you know that?"

"Quite easily. Here you are taking care of a poor little boy with one arm, and there you are sinking a ship with the other. It can't be like you."

"Ah! But which is me? I can't be two me's, you know."

"No. Nobody can be two me's."

"Well, which me is me?"

"Now I must think. There looks to be two."

"Yes. That's the very point. You can't be knowing the think you don't know, can you?"

"No."

"Which me do you know?"

"The kindest, goodest, best me in the world," answered Diamond, clinging to North Wind.

"Why am I good to you?"

"I don't know."

"Have you ever done anything for me?"

"No."

"Then I must be good to you because I choose to be good to you."

"Yes."

"Why should I choose?"

"Because - because - because you like."

"Why should I like to be good to you?"

"I don't know, except it be because it's good to be good to me."

"That's just it; I am good to you because I like to be good."

"Then why shouldn't you be good to other people as well as to me?"

"That's just what I don't know. Why shouldn't I?"

"Because I am. There it is again," said Diamond. "I don't see that you are. It looks quite the other thing."

"Well, but listen to me, Diamond. You know the one me, and that is good."

"Yes."

"Do you know the other me as well?"

"No. I can't. I shouldn't like to."

"There it is. You don't know the other me. You are sure of one of them?"

"Yes."

"And you are sure there can't be two me's?"

"Yes."

"Then the me you don't know must be the same as the me you do know - else there would be two me's?"

"Yes."

"Then the other me you don't know must be as kind as the me you do know?"

"Yes."

"Besides, I tell you that it is so, only it doesn't look like it. That I confess freely. Have you anything more to object to?"

"No, no, dear North Wind; I am quite satisfied."

"Then I will tell you something you might object. You might say that the me you know if like the other me and that I am cruel all through."

"I know that can't be because you are so kind."

"But that kindness might be only a pretense for the sake being more cruel afterwards."

Diamond clung to her tighter than ever, crying: "No, no, dear North Wind; I can't believe that. I don't believe it. I won't believe it. That would kill me. I love you, and you must love me, else how did I come to love you? How could you know how to put on such a beautiful face if you did not love me and the rest? No. You may sink as many ships as you like, and I won't say another word. I can't say I shall like to see it, you know."

"That's quite another thing," said North Wind; and as she spoke, she gave one spring from the roof of the hayloft and rushed up into the clouds with Diamond on her left arm close to her heart. And as if the clouds knew she had come, they burst into a fresh jubilation of thunderous light. For a few moments, Diamond seemed to be borne up through the depths of an ocean of dazzling flame; the next, the winds were writhing around him like a storm of serpents. For they were in the midst of the clouds and mists, and they, of course took the shapes of the wind, eddying and wreathing and whirling and shooting and dashing about like grey and black water, so that it was as if the wind itself had taken shape, and he saw the grey and black wind tossing and raving most madly all about him. Now it blinded him by smiting him upon the eyes; now it deafened him by bellowing in his ears; for even when the thunder came, he knew now that it was the billows of the great ocean of the air dashing against each other in their haste to fill the hollow scooped out by the lightening; now it took his breath quite away by sucking it from his body with the speed of its rush. But he did not mind it. He only grasped first and then laughed, for the arm of North Wind was about him, and he was leaning against her bosom. It is quite impossible for me to describe what he saw. Did you ever watch a great wave shoot into a winding passage amongst rocks? If you ever did, you would see that the water rushed every way at once, some of it even turning back and opposing the rest; greater confusion you might see nowhere except in a crowd of frightened people. Well, the wind was like that, except that it went much faster, and therefore was much wilder, and twisted and shot and curled and dodged ad clashed and raved ten times more madly than anything else creation except human passions. Diamond saw the threads of the lady's hair streaking it all. In parts, indeed, he could not tell which was hair and which was black storm and vapor. It seemed sometimes that the great billows of mist-muddy wind were woven out of the crossing lines of North Wind's infinite hair, sweeping in endless intertwistings. And Diamond felt as the wind seized his hair, which his mother kept rather long, as if he, too, was a part of the storm, and some of its life went out from him. But so sheltered was he by North Wind's arm and bosom that only at times, in the fiercer onslaught of some curl-billowed eddy, did he recognize for a moment how wild was the storm in which he was carried, nestling in its very core and formative center.

It seemed to Diamond likewise that they were motionless in the center and that all the confusion and fighting went on around them. Flash after flash illuminated the fierce chaos, revealing in varied yellow and blue and grey and dusky red the vaporous contention; peal after peal of thunder tore the infinite waste; but it seemed to Diamond that North Wind and he were motionless, all but the hair. It was not so. They were sweeping with the speed of the wind itself toward the sea.

The Love of God And Doubting His Goodness

I don't believe in God's goodness towards me. It is something I want to believe in and an area of faith where I am progressively growing, but it remains true that at the core of my heart, I doubt God's goodness. It is easy for me to believe all of his other attributes and I consent rationally to his goodness, but the degree of stress, anxiety, worry, etc. that I keep around in my life shows that regardless of logical agreement and correct theology, there is a doubting disconnect between my mind and my heart.

Two weeks ago, God used some frustrating circumstances to give this disconnect a lesson. I was with friends in Siem Reap, enjoying the first delicious days of vacation and very ready to move on to the beach so I could completely unwind and let go of an exhausting semester's lingering stress. In a twist of events, though, my passport was stolen and I lost any chance to rest as I battled embassies, immigration control, crowded international buses, and sickness just to be able to return to start a new semester. The stress was almost unbearable, primarily because its roots lay in my anger that God wasn't giving me what I needed. I needed rest and he wasn't being good enough to give it to me.

As I sat on a bus from Cambodia to Bangkok, I read something in George MacDonald's At the Back of the North Wind that has started to dissolve the head/heart disconnect. MacDonald tells the story of Diamond, a little boy who meets the North Wind and progresses through a series of adventures with her. North Wind is at times an allegory for God and in one particular chapter, MacDonald uses North Wind to give one of the best illustrationa of God's infinitely wild love and goodness towards us, even though it is often almost impossible for us to comprehend this kind of love.

Two keys aspects of the story stand out to me. First, being as close to North Wind as Diamond is brings pain with it. Diamond could choose to stay on the safe side of North Wind, benefiting from her and having relationship with her, but keeping a safe distance. Instead he desires to be close to the very heart of North Wind, regardless of the pain it includes. Being at the center of God's loving heart is simultaneously the best and most painful place to be. Diamond makes the statement, "I begin to think there are better things than being comfortable." Knowing God's love is a tremendously powerful thing, but there is nothing comfortable about it.

Second, it is only possible for us to doubt God's goodness when we think we have done anything for him; when we realize we have never done anything for God, that only he has done on our behalf, we can start to make sense of God's wild goodness. As North Wind holds Diamond in her arms, she sets out to sink a ship. Horrified by this, Diamond questions her goodness. He knows there can't be two North Winds, one good and one bad, so he is faced with deciding if North Wind is completely good or completely bad. Diamond admits he has never done anything for North Wind and therefore their relationship is based entirely on North Wind's goodness to him. Because of this acknowledgment everything about his relationship is based on North Winds desire to do good, Diamond has faith that sinking the ship is within North Wind's good character and they continue on their journey.

It's a difficult argument for me because at times I think I see God's goodness and at times I seem to see God's badness, for a lack of a better word. What is to keep me from deciding that God is entirely bad all the way through? When the ship is sinking in my life, why shouldn't I decide God is bad? And it can only be harder for others. It is one thing for me to flip flop back and forth on this issue because sometimes inconvenient things like stolen passports happen in my life. But what about the really bad stuff in this world? What about sex trafficking? What about people I love going to hell? What about starvation? What about earthquakes that kill thousands of people? Based on the collective experience of humanity, what is to prevent us from concluding that God is bad all the way through? Grace.

George MacDonald got it right when he highlighted grace as the evidence in our lives that God is good. If I think I have contributed anything in my relationship with God, or on the large scale, that people have contributed anything, then yes, there is enough in this world to think God is bad. But if I believe that I have not been able to give God anything, that even my best is worthless, that God is in my life simply because of his own desire to be in my life, then that is enough goodness for him to be thoroughly good. MacDonald's point is that if I accept God's grace in my life, then I also accept his goodness, even when I don't understand the sinking ships.

I'm still trying to wrap my head around all of this. No, I am trying to wrap my heart around it. I want it to transform the way I see my life and my God, so that stress and anxiety don't define me. If I lived like God was good to me, fear would have nothing to control. I want belief in God's goodness to sink down into me, deeply and completely. And it will. Just as the North Wind's billowy and blustery presence changes Diamond and leaves her mark in his life, so will God's powerful and loving presence leave its mark in my life.

Monday, January 25, 2010

John Donne's La Corona... Possibly My Favorite Poem

La Corona

Deign at my hands this crown of prayer and praise,
Weav’d in my low devout melancholy,
Thou which good, hast, yea art treasury,
All changing unchang’d Ancient of days;
But do not, with a vile crown of frail bayes,
Reward my muses with sincerity,
But what thy thorny crown gain’d, that give me,
A crown of Glory, which doth flower always;
The ends crown our works, but thou crown’st our ends,
For, at our end begins our endless rest;
The first last end, now zealously possessed,
With a strong sober thirst, my soul attends.
‘Tis time that heart and voice be lifted high,
Salvation to all that will is nigh.


Annunciation

Salvation to all that will is nigh;
That All, which always is All every where,
Which cannot sin, and yet all sins must bear,
Which cannot die, yet cannot choose but die,
Lo, faithful Virgin, yields himself to lie
In prison, in thy womb; and though he there
Can take no sin, not thou five, yet he’will wear
Taken from thence, flesh, which deaths force may try.
Ere by the spheres time was created, thou
Wast in his mind, who is thy Son, and Brother;
Whom thou conceiv’st, conceiv’d; yea thou art now
Thy Makers maker, and thy Fathers mother;
Thou’hast light in dark; and shutst in little room,
Immensity cloistered in thy dear womb.


Nativitie

Immensity cloistered in thy dear womb,
Now leaves his well belov’d imprisonment,
There he hath made himself to his intent
Weak enough, now into our world to come;
But Oh, for thee, for him, hath th’ Inn no room?
Yet lay him in this stall, and from the Orient,
Stars, and wisemen will travel to prevent
Th’effect of Herods jealous general doom.
Seest thou, my Soule, with thy faiths eyes, how he
Which fills all place, yet none holds him, doth lie?
Was not his pity towards thee wondrous high,
That would have need to be pitied by thee?
Kiss him, and with him into Egypt go,
With his kind mother, who partakes thy woe.


Temple

With his kind mother who partakes thy woe,
Joseph turn back; see where your child doth sit,
Blowing, yea blowing out those sparks of wit,
Which himself on the Doctors did bestow;
The Word but lately could not speak, and lo
It suddenly speaks wonders, whence comes it,
That all which was, and all which should be writ,
A shallow seeming child, should deeply know?
His Godhead was not soul to his manhood,
Nor had time mellowed him to this ripeness,
But as for one which hath a long task, ‘tis good,
With the Sun to begin his business,
He in his ages morning thus began
By miracles exceeding power of man.


Crucifying

By miracles exceeding power of man,
He faith in some, envy in some begat,
For, what weak spirits admire, ambitious, hate;
In both affections many to him ran,
But Oh! the worst are most, they will and can,
Alas, and do, unto the immaculate,
Whose creature Fate is, now prescribe a Fate,
Measuring self-lifes infinity to a span,
Nay to an inch. Lo, where condemned he
Bears his own cross, with pain, yet by and by
When it bears him, he must bear more and die.
Now thou art lifted up, draw me to thee,
And at thy death giving such liberal dole,
Moist, with one drop of thy blood, my dry soul.


Resurrection

Moist with one drop of thy blood, my dry soul
Shall (though she not be in extreme degree
Too stony hard, and yet too fleshly,) be
Freed by that drop, from being starv’d, hard, or foul,
And life, by this death abled, shall control
Death, whom thy death slew; nor shall to me
Fear of first or last death, bring misery,
If in thy little brook my name thou enroll,
Flesh in that long sleep is not putrified,
But made that there, of which, and for which ‘twas;
Nor can by other means be glorified.
May then sins sleep, and deaths soon from me pass,
That wak’t from both, I again risen may
Salute the last, and everlasting day.


Ascension

Salute the last and everlasting day,
Joy at the uprising of this Sun, and Son,
Ye whose just tears, or tribulation
Have purely washed, or burnt your drossie clay;
Behold the Highest, parting hence away,
Lightens the dark clouds, which he treads upon,
Nor doth he by ascending, show alone,
But first he, and he first enters the way.
O strong Ram, which hast batter’d heaven for me,
Mild Lamb, which with thy blood, hast mark’d the path;
Bright Torch, which shin’st, that I the way may see,
Oh, with thy own blood quench thy own just wrath,
And if thy holy Spirit, my Muse did raise,
Deign at my hands this crown of prayer and praise.

Saturday, December 26, 2009

More Thoughts from Real Christianity

"Knowing that the journey of faith will not be easy, they do not become discouraged when difficulties come. Knowing an adversary will oppose their efforts, they are not surprised or unprepared when the enemy attacks. As they set out on their way, they expect the early going to be difficult, but they know that the end of the journey will be great.

It is not without merit that those who pursue authentic faith in this manner are called pilgrims and strangers. A pilgrim is one who is on a journey. When the journey transcends his normal borders, he becomes a stranger. He is like a businessman who is sent into a new territory with the task of executing his job with diligence and tenacity and then returns home as soon as possible. Whatever pleasures he enjoys along the way, he enjoys with moderation. He is thankful when the weather is pleasant but is not diverted from his task when storms come.

He is a traveler. He expects the unexpected. But as he travels, he knows he traveling to 'a better country' (Heb. 11:16). He can observe the practices of this strange land and associate with its inhabitants. He even attempts to speak their language and where appropriate adopt their fashions, but he makes sure that he is not sidetracked or delayed along the way from accomplishing what his master has sent him to accomplish. He has business to which he must attend. He knows there will be temptations and distractions. He knows the enemy wants to delay and derail his advancement. This means that he must maintain his focus and direction. To make sure he is on the right track, he needs periodically to stop and take stock. Is he traveling in the right direction? Has he become distracted? Often he has the sense that he is making good progress. At other times he feels as if he is getting nowhere. All the passions of life are experienced along the way.

...This is no dreary duty! This is challenge and excitement. This is the ultimate adventure. This is what life was meant to be."

Saturday, December 5, 2009

Thoughts from Wilberforce's Real Christianity

"What is good in only a matter of opinion in secular society. Using society's own standards of goodness, careful observation of the bigger picture of the bigger picture may reveal that a particular good has been outweighed by general evil. When a society defines its own morality and then applies it to itself, that society can justify its own serious breaches of character. It is able to lower the standard to the detriment of all.

Even in the best of cases, the fundamental problem still exists that the motivation for life is still man-centered instead of God-centered. Goodness is no substitute for devotion. In its culturally defined forms, goodness can exist where love of God and passion for His glory do not."

Wednesday, December 2, 2009

Thoughts from Piper's The Dangerous Duty of Delight

"Life is war. The casualties are millions, and the stakes are eternal. What we need today is not a call to simplicity, but a call to war. We need to think in terms of 'wartime lifestyle' rather than a 'simply lifestyle.' I have used the phrase 'necessities of life' because Paul said in 1 Timothy 6:8, 'If we have food and covering, with these we shall be content.' But this idea of simply necessity can be misleading. I mean it to refer to a style of life that is unencumbered with nonessentials - and the criterion for 'essential' should not be primitive simplicity, but wartime effectiveness... Life is war. All talk of a Christian's right to live luxuriously 'as a child of the King' is this atmosphere sounds hollow - especially since the King Himself stripped for battle."

"Jesus did not ask us to be indifferent to whether we are destroyed. On the contrary, He assumes that the longing for true life will move us to deny ourselves all the lesser pleasures and comforts of life. The measure of our longing for life is the amount of comfort we are willing to give up to get it."

Wednesday, August 12, 2009

Thoughts from High Fidelity

"So maybe what I said before, about listening to too many records messes up your life... maybe there's something in it after all... It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the centre of your being, then you can't afford to sort out your love life, start to think of it as the finished product. You've got to pick at it, keep it alive and in turmoil, you've got to pick at it and unravel it until it all comes apart and you're compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship."
- Nick Hornby

Saturday, May 9, 2009

100 Best Novels

So, I really like lists and recently got into top 100 books lists. I still haven't found any that are satisfactory, but here are two of my favorites.

X - I've read it
* - I want to read it
**- I really want to read it!

BBC's Readers' List:

1. The Lord of the Rings, JRR Tolkien - X
2. Pride and Prejudice, Jane Austen - X
3. His Dark Materials, Philip Pullman
4. The Hitchhiker's Guide to the Galaxy, Douglas Adams - X
5. Harry Potter and the Goblet of Fire, JK Rowling
6. To Kill a Mockingbird, Harper Lee *
7. Winnie the Pooh, AA Milne - X
8. Nineteen Eighty-Four, George Orwell - X
9. The Lion, the Witch and the Wardrobe, CS Lewis - X
10. Jane Eyre, Charlotte Brontë - X
11. Catch-22, Joseph Heller - **
12. Wuthering Heights, Emily Brontë - X
13. Birdsong, Sebastian Faulks
14. Rebecca, Daphne du Maurier - **
15. The Catcher in the Rye, JD Salinger
16. The Wind in the Willows, Kenneth Grahame
17. Great Expectations, Charles Dickens - Read half and couldn't get through the rest!
18. Little Women, Louisa May Alcott - X
19. Captain Corelli's Mandolin, Louis de Bernieres
20. War and Peace, Leo Tolstoy - *
21. Gone with the Wind, Margaret Mitchell - *
22. Harry Potter And The Philosopher's Stone, JK Rowling
23. Harry Potter And The Chamber Of Secrets, JK Rowling
24. Harry Potter And The Prisoner Of Azkaban, JK Rowling
25. The Hobbit, JRR Tolkien - X
26. Tess Of The D'Urbervilles, Thomas Hardy
27. Middlemarch, George Eliot - *
28. A Prayer For Owen Meany, John Irving
29. The Grapes Of Wrath, John Steinbeck - X
30. Alice's Adventures In Wonderland, Lewis Carroll - X
31. The Story Of Tracy Beaker, Jacqueline Wilson
32. One Hundred Years Of Solitude, Gabriel García Márquez - *
33. The Pillars Of The Earth, Ken Follett
34. David Copperfield, Charles Dickens
35. Charlie And The Chocolate Factory, Roald Dahl
36. Treasure Island, Robert Louis Stevenson
37. A Town Like Alice, Nevil Shute
38. Persuasion, Jane Austen - X
39. Dune, Frank Herbert - **
40. Emma, Jane Austen - X
41. Anne Of Green Gables, LM Montgomery - X
42. Watership Down, Richard Adams - Read half and forgot to finish, but I really liked it
43. The Great Gatsby, F Scott Fitzgerald - X
44. The Count Of Monte Cristo, Alexandre Dumas - **
45. Brideshead Revisited, Evelyn Waugh
46. Animal Farm, George Orwell
47. A Christmas Carol, Charles Dickens
48. Far From The Madding Crowd, Thomas Hardy
49. Goodnight Mister Tom, Michelle Magorian
50. The Shell Seekers, Rosamunde Pilcher
51. The Secret Garden, Frances Hodgson Burnett
52. Of Mice And Men, John Steinbeck
53. The Stand, Stephen King
54. Anna Karenina, Leo Tolstoy - X
55. A Suitable Boy, Vikram Seth
56. The BFG, Roald Dahl
57. Swallows And Amazons, Arthur Ransome
58. Black Beauty, Anna Sewell
59. Artemis Fowl, Eoin Colfer
60. Crime And Punishment, Fyodor Dostoyevsky - X
61. Noughts And Crosses, Malorie Blackman
62. Memoirs Of A Geisha, Arthur Golden
63. A Tale Of Two Cities, Charles Dickens - X
64. The Thorn Birds, Colleen McCollough
65. Mort, Terry Pratchett
66. The Magic Faraway Tree, Enid Blyton
67. The Magus, John Fowles
68. Good Omens, Terry Pratchett and Neil Gaiman
69. Guards! Guards!, Terry Pratchett
70. Lord Of The Flies, William Golding
71. Perfume, Patrick Süskind
72. The Ragged Trousered Philanthropists, Robert Tressell
73. Night Watch, Terry Pratchett
74. Matilda, Roald Dahl
75. Bridget Jones's Diary, Helen Fielding
76. The Secret History, Donna Tartt
77. The Woman In White, Wilkie Collins - X (Why in the world is this one on here???)
78. Ulysses, James Joyce
79. Bleak House, Charles Dickens
80. Double Act, Jacqueline Wilson
81. The Twits, Roald Dahl
82. I Capture The Castle, Dodie Smith
83. Holes, Louis Sachar - X
84. Gormenghast, Mervyn Peake
85. The God Of Small Things, Arundhati Roy
86. Vicky Angel, Jacqueline Wilson
87. Brave New World, Aldous Huxley - X
88. Cold Comfort Farm, Stella Gibbons
89. Magician, Raymond E Feist
90. On The Road, Jack Kerouac
91. The Godfather, Mario Puzo
92. The Clan Of The Cave Bear, Jean M Auel
93. The Colour Of Magic, Terry Pratchett
94. The Alchemist, Paulo Coelho
95. Katherine, Anya Seton
96. Kane And Abel, Jeffrey Archer
97. Love In The Time Of Cholera, Gabriel García Márquez
98. Girls In Love, Jacqueline Wilson
99. The Princess Diaries, Meg Cabot
100. Midnight's Children, Salman Rushdie


Radcliffe Top 100:
  1. The Great Gatsby by F. Scott Fitzgerald - X
  2. The Catcher in the Rye by J.D. Salinger
  3. The Grapes of Wrath by John Steinbeck - X
  4. To Kill a Mockingbird by Harper Lee - *
  5. The Color Purple by Alice Walker
  6. Ulysses by James Joyce
  7. Beloved by Toni Morrison - **
  8. The Lord of the Flies by William Golding
  9. 1984 by George Orwell - X
  10. The Sound and the Fury by William Faulkner - X
  11. Lolita by Vladmir Nabokov
  12. Of Mice and Men by John Steinbeck
  13. Charlotte's Web by E.B. White
  14. A Portrait of the Artist as a Young Man by James Joyce
  15. Catch-22 by Joseph Heller - **
  16. Brave New World by Aldous Huxley - X
  17. Animal Farm by George Orwell
  18. The Sun Also Rises by Ernest Hemingway
  19. As I Lay Dying by William Faulkner
  20. A Farewell to Arms by Ernest Hemingway
  21. Heart of Darkness by Joseph Conrad
  22. Winnie-the-Pooh by A.A. Milne - X
  23. Their Eyes Were Watching God by Zora Neale Hurston - *
  24. Invisible Man by Ralph Ellison
  25. Song of Solomon by Toni Morrison - *
  26. Gone with the Wind by Margaret Mitchell - *
  27. Native Son by Richard Wright
  28. One Flew Over the Cuckoo's Nest by Ken Kesey
  29. Slaughterhouse-Five by Kurt Vonnegut
  30. For Whom the Bell Tolls by Ernest Hemingway
  31. On the Road by Jack Kerouac
  32. The Old Man and the Sea by Ernest Hemingway
  33. The Call of the Wild by Jack London
  34. To the Lighthouse by Virginia Woolf - *
  35. Portrait of a Lady by Henry James - *
  36. Go Tell it on the Mountain by James Baldwin
  37. The World According to Garp by John Irving
  38. All the King's Men by Robert Penn Warren - *
  39. A Room with a View by E.M. Forster - X
  40. The Lord of the Rings by J.R.R. Tolkien - X
  41. Schindler's List by Thomas Keneally - *
  42. The Age of Innocence by Edith Wharton
  43. The Fountainhead by Ayn Rand - X
  44. Finnegans Wake by James Joyce
  45. The Jungle by Upton Sinclair - *
  46. Mrs. Dalloway by Virginia Woolf - **
  47. The Wonderful Wizard of Oz by L. Frank Baum - **
  48. Lady Chatterley's Lover by D.H. Lawrence
  49. A Clockwork Orange by Anthony Burgess
  50. The Awakening by Kate Chopin
  51. My Antonia by Willa Cather - X
  52. Howards End by E.M. Forster - X
  53. In Cold Blood by Truman Capote
  54. Franny and Zooey by J.D. Salinger - **
  55. The Satanic Verses by Salman Rushdie
  56. Jazz by Toni Morrison - *
  57. Sophie's Choice by William Styron - *
  58. Absalom, Absalom! by William Faulkner
  59. A Passage to India by E.M. Forster - **
  60. Ethan Frome by Edith Wharton
  61. A Good Man Is Hard to Find by Flannery O'Connor - *
  62. Tender Is the Night by F. Scott Fitzgerald
  63. Orlando by Virginia Woolf
  64. Sons and Lovers by D.H. Lawrence
  65. Bonfire of the Vanities by Tom Wolfe
  66. Cat's Cradle by Kurt Vonnegut
  67. A Separate Peace by John Knowles
  68. Light in August by William Faulkner
  69. The Wings of the Dove by Henry James
  70. Things Fall Apart by Chinua Achebe - X
  71. Rebecca by Daphne du Maurier - *
  72. A Hitchhiker's Guide to the Galaxy by Douglas Adams - X
  73. Naked Lunch by William S. Burroughs
  74. Brideshead Revisited by Evelyn Waugh
  75. Women in Love by D.H. Lawrence
  76. Look Homeward, Angel by Thomas Wolfe
  77. In Our Time by Ernest Hemingway
  78. The Autobiography of Alice B. Tokias by Gertrude Stein
  79. The Maltese Falcon by Dashiell Hammett - *
  80. The Naked and the Dead by Norman Mailer
  81. Wide Sargasso Sea by Jean Rhys
  82. White Noise by Don DeLillo
  83. O Pioneers! by Willa Cather - **
  84. Tropic of Cancer by Henry Miller
  85. The War of the Worlds by H.G. Wells
  86. Lord Jim by Joseph Conrad
  87. The Bostonians by Henry James
  88. An American Tragedy by Theodore Dreiser
  89. Death Comes for the Archbishop by Willa Cather
  90. The Wind in the Willows by Kenneth Grahame
  91. This Side of Paradise by F. Scott Fitzgerald
  92. Atlas Shrugged by Ayn Rand
  93. The French Lieutenant's Woman by John Fowles
  94. Babbitt by Sinclair Lewis
  95. Kim by Rudyard Kipling - *
  96. The Beautiful and the Damned by F. Scott Fitzgerald
  97. Rabbit, Run by John Updike
  98. Where Angels Fear to Tread by E.M. Forster
  99. Main Street by Sinclair Lewis
  100. Midnight's Children by Salman Rushdie

Sunday, September 21, 2008

Maybe You Can Feel It On Earth

"Ford was very kind - he gave the barman another five-pound note and told him to keep the change. The barman looked at it and then looked at Ford. He suddenly shivered: he experienced a momentary sensation that he didn't understand because no one on Earth had ever experienced before. In moments of great stress, every life form that exists gives out a tiny subliminal signal. This signal simply communicates an exact and almost pathetic sense of how far that being is from its place of birth. On Earth it is never possible to be farther than sixteen thousand miles from your birthplace, which really isn't very far, so such signals are too minute to be noticed. Ford Prefect was at this moment under great stress and he was born six hundred light-years away in the near vicinity of Betelgeuse."
- The Hitchhiker's Guide to the Galaxy